I use subtle body movement and breath to move and control the camera, creating impressionist and pictorial images that sit somewhere between photography and painting.

Whether it’s the street or the forest, it’s a way of working that’s quietly meditative, deeply connected to the space — and a lot of creative fun.

The technique draws on intentional camera movement, multiple exposure and compositing, adapted through my training in biomechanics, human ecology and anthro-zoology.

What began as a creative response to physical limitation became something much deeper — a practice of synchronicity between movement, seeing and feeling…